Sleep Deprived & Starry Eyed

May 30, 2012 | 09:59 AM |

You’d better figure out what you want

If you don’t know what you want, you end up with a lot you don’t.

- Chuck Palahniuk

May 29, 2012 | 09:52 AM |

Bright Side

May 28, 2012 | 09:52 AM |

my cause

‎”Never, never be afraid, to do what’s right, especially if the well-being of a person or animal is at stake. Society’s punishments are small compared to the wounds we inflict on our soul when we look the other way.” — Martin Luther King Jr.


RIP Murray and all the Death Row animals that no one wanted. Your face(s) will always haunt me.

May 27, 2012 | 09:52 AM |

cold turkey on a warm night

I wanted to write about the moment when your addictions no longer hide the truth from you. When your whole life breaks down. That’s the moment when you have to somehow choose what your life is going to be about.

- Chuck Palahniuk


May 26, 2012 | 09:52 AM |

500 lb Elephant in the room

This has got to die
This has got to stop
This has got to lie down
Someone else on top

You can keep me pinned
It’s easier to tease
But you can’t paint an elephant
Quite as good as she

And she may cry like a baby
And she may drive me Crazy
‘Cause I am lately lonely

So why d’you have to lie?
I take it I’m your crutch
The pillow in your pillow case
It’s easier to touch

And when you think you’ve sinned
Do you fall upon your knees?
And do you sit within your picture?
Do you still forget the breeze?

And she may rise, if I sing you down
And she may wisely cling to the ground
Cause I’m lately horny
So why would she take me horny?

What’s the point of this song? Or even singing?
You’ve already gone, why am I clinging?
Well I could throw it out, and I could live without
And I could do it all for you
I could be strong
Tell me if you want me to lie
‘Cause this has got to die

This has got to stop
This has got to lie down, down
With someone else on top

You can both keep me pinned
‘Cause it’s easier to tease
But you can’t make me happy
Quite as good as me

Well you know that’s a lie

-Elephant by Damien Rice

May 25, 2012 | 09:43 AM |

it’s best not to expect too much from people

Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. And intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The best you’ll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.

— Janet Fitch

May 24, 2012 | 09:56 AM |

Alaska

Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only be the last words of the already-dead, so I came here looking for a Great Perhaps, for real friends and a more-than-minor life. And then I screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there’s no sugar-coating it: She deserved better friends.

When she fucked up, all those years ago, just a little girl terrified into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in a Great Perhaps, and I can believe in it in spite of having lost her. 

Because I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know now that she forgives me for being dumb and scared and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. Here’s how I know:

I thought at first that she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something’s meal. What was her—green eyes, half a smirk, the soft curves of her legs—would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would heat their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes, think maybe “the afterlife” is just something we make up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just matter, and matter gets recycled. 

But ultimately, I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska’s genetic code and you add her life experiences and the relationships she had with people, and then take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed.

Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself—those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, “Teenagers think they are invincible” with that sly, stupid smile on their faces, they don’t know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But the part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. 

So I know she forgives me, just as I forgive her. Thomas Edison’s last words were: “It’s very beautiful over there.” I don’t know where there is, but I believe it’s somewhere, and I hope it’s beautiful.

-Miles Halter’s essay at the end of Looking for Alaska


May 23, 2012 | 10:01 AM |

we’ll never be here again

Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.

May 22, 2012 | 09:46 AM |

keep your head

But there’s this way he drums his fingers on the table. Not even like really drumming. More like in-way between drumming and like this scratching, picking, the way you see somebody picking at dead skin. And without any kind of rhythm, see, constant and never-stopping but with no kind of rhythm you could grab onto and follow and stand. Totally like whacked, insane. Like the kind of sounds you can imagine a girl hears in her head right before she kills her whole family because somebody took the last bit of peanut butter or something. You know what I’m saying? The sound of a fucking mind coming apart.

— David Foster Wallace, Infinite Jest


May 21, 2012 | 02:19 PM |

asymetrical

He is thinking about asymmetry. This is a world, he is thinking, where you can lie in bed, listening to a song as you dream about someone you love, and your feelings and the music will resonate so powerfully and completely that it seems impossible that the beloved, whoever and wherever he or she might be, should not know, should not pick up this signal as it pulsates from your heart, as if you and the music and the love and the whole universe have merged into one force that can be channeled out into the darkness to bring them this message. But, in actuality, not only will he or she not know, there is nothing to stop that other person from lying on his or her bed at the exact moment listening to the exact same song and thinking about someone else entirely-from aiming those identical feelings in some completely opposite direction, at some totally other person, who may in turn be lying in the dark thinking of another person still, a fourth, who is thinking of a fifth, and so on, and so on, so that rather than a universe of neatly reciprocating pairs, love and love-returned fluttering through space nicely and symmetrically like so many pairs of butterfly wings, instead we get chains of yearning, which sprawl and meander and culminate in an infinite number of dead ends.

— Paul Murray

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